Posts Tagged ‘Loren Stillman’
Got there around 8:15PM this time and started off, just as the day before, with trying to do some quick gig hopping and check out all the venues for the most appealing sounds…
On the average, I think it felt even more crowded than the day before (it was 2000 people both nights and it was sold out). Come to think of it, according to the data on Search&Restore website, the capacity of Zinc Bar is 250, 800 for le Poisson Rouge, 345 for Sullivan Hall (although I never saw that being at capacity),which totals 1395 people, theoretically. That would leave around 300 each for Kenny’s Castaways and the Bitter End. So it’s pretty understandable that the crowds were all over the place.
1. Bernie Worrell Orchestra @ le Poisson RougeKyle Cadena, guitar / Andrew Kimball, guitar / Scott Hogan, bass / Glen Fittin, percussion / Shlomi Cohen, alto sax / Ofer Assaf, tenor sax / Justin Mullens, trumpet / Karl Latham, drums / Evan Taylor, drums
Pretty straightforward funky kind of music. Hopped on pretty soon…
2. Herculaneum @ Kenny’s CastawaysDylan Ryan, drums / David McDonnell, alto saxophone / Nick Broste, trombone / Nate Lepine, tenor saxophone and flute / Patrick Newbery, trumpet / Greg Danek, bass
Stopped by really briefly: seemed like a nice hang, but not spectacular enough to settle down…
3. Lionel Loueke @ Zinc Bar
Lionel Loueke, guitar and vocals / Michael Olatuja, bass / Mark Guiliana, drums
Although I had heard Lionel Loueke a few times, I was a bit curiuos to hear this particular lineup with Mark Guiliana on drums. Finally managed to get in to Zinc Bar (it was so crowded that I didn’t really see anything). They sounded nice, but I only stayed for a tune or so, as the mission for the night was to hear something mind blowing…
4. Andy Milne’s Dapp Theory @ the Bitter End
Andy Milne, piano, keyboards & vocals / John Moon, poet / Aaron Kruziki, reeds & vocals / Chris Tordini, basses & vocals / Kenny Grohowski, drums & guitar
Back to the Bitter End. That one was crowded as well (oddly, everybody also stayed near the door, actually there was more room on the other side of the room). The band had energy and intention + they played well, so it was a pleasure to listen. Later on John Moon, the poet and vocalist in the band, performed some interesting improvised (?) poetry, locking it in with the band’s groove. Haven’t heard things like that too often, so I thought it sounded interesting, the rhythm of the words and the music…
5. Mostly Other People Do The Killing @ Kenny’s CastawaysPeter Evans, trumpet / Jon Irabagon, saxophone / Moppa Elliott, bass / Kevin Shea, drums
Didn’t fascinate that much me at the moment. Hopped on…
6. Fabian Almazan and Strings @ Sullivan Hall
Fabian Almazan, piano / Linda Oh, bass / Henry Cole, drums / Jenny Scheinman: Violin. I / Megan Gould, violin. II / Karen Waltuch, viola / Noah Hoffeld, cello
Didn’t hear enough of it to form an opinion. And to be honest, I thought Sullivan Hall wasn’t that appropriate a venue to hear this kind of music anyway as the sound of the room is more suitable for rock (bass is heavy, not so clear overall). On the average, the venues that have jazz in New York normally have really great balanced sound (rooms are dry and not emphasizing any particular frequencies). So I’d rather hear Fabian Almazan and Strings somewhere else.
7. Justin Brown Group @ Sullivan Hall
Fabian Almazan, fender Rhodes & piano / Burness Travis, electric bass / Matthew Stevens, guitar / Special guest Ambrose Akinmusire, trumpet / Justin Brown, drums
Another band I was looking forward to hearing – but somehow the music and the playing didn’t touch me this time.
8. Vijay Iyer trio @ le Poisson Rouge
Vijay Iyer, piano / Stephan Crump, bass / Marcus Gilmore, drums
That one was great! The only drawback was that Le Poisson Rouge was packed as hell. Marcus Gilmore, once again, sounded great. And so did Stephan Crump on bass and Vijay himself. Looking forward to hearing them again soon, preferably in a bit more relaxed environment.
9. Allison Miller’s BOOM TIC BOOM @ the Bitter End
Myra Melford, piano / Jenny Scheinman, violin / Brad Jones, bass / Allison Miller, drums
The Bitter End was packed as hell as well, but I managed to squeeze through the mob to the other side of the room, so it was quite cozy. I also found the music to be charming somehow, although it probably wouldn’t have been a jazz purist’s cup of tea (again, this conflict between the rhythmic worlds of jazz and folk). Allison Miller had loads of great musical ideas, enjoyable grooves and it was refreshing to hear her creative musical vision pouring out of the drum set: she treats the instrument in quite a unique way. They also had a nice energy as a band and were clearly enjoying what they do – it is always incredible to witness how much that actually adds (regardless of the actual music).
10. Taylor Eigsti trio @ the Bitter End
Taylor Eigsti, piano / Eric Harland, drums / Harish Raghavan, bass
That was the highlight of the day for me. Great musicians, great band! First, they played a few originals, then a pretty impressive version of Wayne Shorter’s Deluge. Tenor player Dayna Stephens stepped up as special guest for (his arrangement of) Joe Henderson’s Black Narcissus. For the last tune, vocalist Becca Stevens joined for a tune written by her and Eigsti, Magnolia.
What impressed me most in the concert was Eigsti’s almost McCoy Tyner kind of energy in his melodic lines. It was also great how he made musically meaningful use of textures of the actual instruments, combining the more intense sound of the piano (even more noteworthy as the actual piano seemed to be rather crappy) and the mellow sound of Rhodes. Harish Raghavan’s command of the bass was almost scary. And Eric Harland was as great as ever, or better.
11. Tyshawn Sorey Oblique @ the Bitter End
Tyshawn Sorey, drums / Loren Stillman, alto saxophone / Todd Neufeld, guitar / John Escreet, piano, keyboards / Chris Tordini, bass
Although that was one of the late-night sets (starting at 01:45 AM) and many had departed, but there seemed to be quite a few musicians around to see this one. What bothered me about this one, though, was how they (not Tyshawn though) seemed to be struggling with all the reading. Most players were so fixed on their sheet music that it looked almost humorous. Although this kind of intellectual and many-faceted compositions seem to be one of the interesting developments in jazz and one probably can’t really play music like that by heart, is reading music really supposed to be something that jazz musicians should demonstrate in such extreme ways? I feel that lot of the effortlessness and grace that one would expect from the live music gets lost. All were great musicians (heard some spectacular solos and overall amazing musicianship), though, and it was kind of fun to try to process and make sense of the load of musical information presented (giving an almost sport-like thrill…).
- Live: Winter Jazzfest Breaks Down Boundaries And Confounds Expectations (blogs.villagevoice.com)
- Music feast ahead: Winter Jazzfest 2012 (ineskuusik.wordpress.com)
- Music Review: Winter Jazzfest With Herculaneum and ERIMAJ – Review (nytimes.com)
- Friday at Winter Jazz Fest (Day 1) (ineskuusik.wordpress.com)
- Fabian Almazan Trio -][- Personalities [Palmetto Records, 2011] (theurbanflux.wordpress.com)
- Flux Jazz Essentials for 2011? (theurbanflux.wordpress.com)
- Winter Jazzfest Review (avantmusicnews.com)
What a nice shelter from the rain – I spent the whole evening @ 55 Bar last night. Early set was Davy Mooney Quartet – Dave Mooney (guitar), John Ellis (tenor sax), Orlando LeFleming (bass), Greg Ritchie (drums). Great choice of sidemen . Having that good sidemen might be dangerous though, but I guess it worked out. Davy Mooney did some singing as well – he has a really nice voice. I liked the drummer a lot. And John Ellis is just so incredibly expressive. He seems to have mastery over so many shades of sound and dynamics.
And the next band, Arthur Kell Quartet was just amazing! Nir Felder on guitar, Loren Stillman on alto, Mark Ferber on drums, Arthur Kell on bass and compositions. They were so tight and everybody was really killin’! The first set was especially good, I enjoyed it so much! Hearing that kind of music makes me not want to leave New York. Nir Felder really surprised me again – even though he suffered from a jet leg, that was some very inspired ground-breaking guitar playing there. He seems to get better with every time I hear him, or is it just me? Anyway, it was fun to hear him play next to Loren Stillman – those guys both play so incredible lines and have amazing sound. How can they be so killin’ when they just seem to be sight reading? Yeah that first set was one of my favorite concerts here, so far .
Nate Radley (guitar), Loren Stillman (alto), Gary Wang (double bass), Diego Voglino (drums) @ the Neighborhood Church of Greenwich Village, Bleecker St (6th Av). I found Gary Wang on double bass real amazing, the way he seems to tell stories with his playing. Actually heard him about a month or so ago playing in Ben Monder’s trio. And Loren Stillman is a really happening alto player, I guess he’s one of my favorite sax players I’ve heard here so far. I actually first saw him play with Tim Ziesmer @ Spike Hill and then with his own trio @ Royale (Park Slope) a couple of weeks ago. He can take playing harmony into whole new intriguing level. This time I really liked January by Nate Radley and the Flaming Lips cover One More Robot.
Walked by from Spike Hill (Bedford Av at N7th) yesterday and discovered they have a good Monday night jazz program there – the band playing at the moment was called Snafu. The arrangements and compositions were really enjoyable and the lineup sounded kind of fresh - alto (Loren Stillman), trombone, solidbody electric guitar, a really grooving electric bass, drums. Heard so many great ideas there. The band leader was Tim Ziesmer, the guitar player and composer. You could hear him being a composer in his playing – ideas were so well thought out and cultivated with care.
But New York really seems to need more jazz audiences. So often people don’t even find their way to all the free shows that are happening all over the city. And these musicians here really care about music and are actually a joy to be heard.
In Estonia, I think many musicians can get away with playing almost anything and still get some recognition. Weird, here so many people play just ridiculously good, go almost unnoticed and hardly make any money at all. Another funny thing is that these musicians here seem to be on a way less of an ego trip as well .