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Friday at Winter Jazzfest (Day 1)

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Jazzfest menu

One of the most anticipated yearly music events – it was my first time to attend. Although I’ve done quite a bit of gig hopping before (too much temptation in New York even on a regular night), this time I probably set a personal record for the amount of bands heard in one night: caught 12 of the 31 groups on Friday (which would still make only 38% of all the Winter Jazzfest treats on offer for the day :)).

It was truly an unforgettable experience (and quite a challenge, to process that much musical information and find a way through the crowds)!

Here are some of my impressions from the first day of the Bleecker street & surroundings gig hopping marathon:

1. Started off with the Curtis Hasselbring’s Mellow Edwards @ Le Poisson Rouge, around 6 PM

Curtis Hasselbring's New Mellow Edwards

Curtis Hasselbring, trombone & guitar / Chris Speed, tenor saxophone & clarinet / Mary Halvorson, guitar / Matt Moran, vibraphone / Trevor Dunn, bass / Satoshi Takieshi, drums & percussion / Ches Smith, drums & percussion

Heard a nice guitar solo (tastefully poetic, created a spacious and open feel as if watching clouds in the sky…) by Mary Halvorson, but didn’t stay for the whole thing, still. In the early hours, there were quite few people everywhere, so it seemed like an ideal time for gig hopping and trying to see it all…

2. Off to Kenny’s Castaways to hear Ben Allison w/ Strings

Ben Allison trio w/ Strings

Jenny Scheinman (violin), Steve Cardenas (guitar), Ben Allison (bass)

That was one of the shows I had been looking forward to hearing (I’ve heard all three of them before myself quite a few times, but not this lineup).

I actually didn’t find it that interesting (the combination of jazz and folk often makes me wish it was either one or the other since rhythmically they are such different worlds). Great musicians though.

3. The Bitter End: Joel Harrison String Choir playing the music of Paul Motian

Joel Harrison String Choir

Joel Harrison, Liberty Ellman, guitars / Christian Howes, Sam Bardfeld, violins / Mat Maneri, viola / Dave Eggar, cello

That actually was not a tribute band (active for 10 years already, starting way before Paul Motian died…). Having a string quartet seems to be this year’s big trend for many bands…  This one was nice, but I still thought I should move on…

4. Julian Lage Group @ Sullivan Hall

Julian Lage, guitar / Jorge Roeder, bass / Tupac Mantilla, percussion / Aristides Rivas, cello / Dan Blake, sax

Adam Schatz presenting Julian Lage Group

This was one of the shows that I was really looking forward to hearing. And yes, Julian Lage is an absolutely amazing guitar player and instrumentalist with a great sense of drama. And they seemed to be enjoying what they do (and the audience loved them back for it) and the energy in the show was great (reminding of Pat Metheny Group somewhat).

But the melodic lines Lage played seemed surprisingly random, considering the outstanding quality of his musicianship. That kind of devalued the thing for me

Zinc Bar around 8:15 PM

(altough I guess great lines aren’t the most important thing people expect to hear nowadays)… So I didn’t stay for long.

Then tried to get in to Zinc Bar – as did many others, so it looked rather hopeless…Ditched the idea for the time.

Pete Robbins / Simon Jermyn / Oscar Noriega / John Hollenbeck / Ches Smith

5. Went to Kenny’s Castaways instead for Pete Robbins, Simon Jermyn, Oscar Noriega, Ches Smith

Pete Robbins and Oscar Noriega, alto saxophone / Simon Jermyn, bass guitar / Ches Smith and John Hollenbeck, drums

This sounded great,actually, but unfortunately it was quite crowded again, so I just stayed for a couple tunes…

6. Quickly checked out le Poisson Rouge and Nels Cline Singers

Nels Cline, guitar / Yuka C. Honda, keyboard / Scott Amendola, drums & electronics / Trevor Dunn, bass

It was quite crowded and didn’t seem like my cup of tea, so I hopped on…

Lucy Woodward

7. Lucy Woodward @ the Bitter End

Chris Bullock, saxophone / Nate Townsley, drums / Michael League, bass / Henry Hey, keys / Bob Lanzetti, guitar / Andy Hunter, trombone / Mike Maher, trumpet / Lucy Woodward, lead vocal

I guess some of those people form Michael League’s band the Snarky Puppy (often performing at Rockwood Music Hall). It was pretty nice. And the Bitter End was the cosiest (if seated) of the Bleecker Street venues and allowed a bit less stressful listening (although they had a pretty intimidating two drink minimum per person per set), so stayed there until the next band. Especially as, at that point, the lines outside had become pretty scary and finding a seat in any of the venues wasn’t that easy anymore…

Chris Morrissey w/ Aaron Parks, Mark Guiliana, Ben Wendel, Nir Felder

8. Chris Morrissey @ the Bitter End

Chris Morrissey, bass / Mark Guiliana, drums / Aaron Parks, piano / Ben Wendel, saxophone / Nir Felder, guitar

Stayed @ the Bitter End for this, but unfortunately it turned out to be a little bit of a disappointment…Not even sure, why exactly: maybe the compositions weren’t intriguing for my ear or was it just an off night or what… Aaron Parks played some beautiful solos, but despite that, it wasn’t that interesting, somehow. So I left after 3 or 4 tunes.

9. Another attempt to get into Zinc Bar, this time successful. Heard 3 or 4 tunes by Sketchy Black Dog.

Misha Piatigorsky, piano / Chris Wabich, drums / Danton Boller, bass / Liv Wagner, violin / Hilary Castle, violin / Colin Benn, viola / Agnes Nagy, cello

Sketchy Black Dog

The hardest to get in to, Zinc Bar was grooving that night… Misha’s set was about half way when we got there: and the atmosphere was hot. Great playing by everybody in the band, the string quartet sounded meticulous (+ it looked great how the women, dressed in red, were positioned on stage, encircling Misha behind the piano. Very sexy). Chris Wabich on drums was grooving and Misha himself was extremely charming (in a little bit of a Russian sort of way). His soulful phrasing (a quality that has become more and more hard to find lately), great feel for the blues and energy were really enjoyable. The repertoire seemed to consist of pop tunes (heard some Jimi Hendrix, the Police and so on). This is something almost everybody tries to do nowadays, but this band actually made it work, in style.

10. Gilad Hekselman 4tet @ Zinc Bar

 Gilad Hekselman, guitar / Mark Turner, saxophone / Joe Martin, double bass / Marcus Gilmore, drums

Gilad Hekselman 4tet w/ Mark Turner, Joe Martin, Marcus Gilmore

That was the highlight of the whole festival for me: really great band! I think Gilad Hekselman is one of the (quite few, actually,  based on my personal observations and comparisons between now and what I heard 2 years ago) musicians that has evolved a lot during the past couple of years, both as a guitar player and bandleader. He’s also one of the guys who builds the modern and new stuff consciously, on a strong foundation, so it actually sounds convincing (as opposed to somebody that would try to do some of this just because it’s hip and ending up sounding like excerpts from a jazz geek’s exercise book). I got huge respect for this kind of players, looking forward to what’s next from Gilad if he keeps moving on like that… Also, it was refreshing to see them playing without sheet music (except for Mark Turner, but in his case it was pretty understandable, as the melodies were complicated. And his playing didn’t seem to suffer from it anyhow). Joe Martin and Marcus Gilmore were absolutely mind blowing!! These are the real cats.

I wish there was a way to distinguish musicians of this level from the more and more undefinable (almost random) bag of “jazz”. The tools and awareness these musicians have for the improvising art are completely of another level – and they would deserve the credit for it also. It is a tremendous thing, to play this well.

Adam Rudolph's Moving Pictures

11. Adam Rudolph’s Moving Pictures @ Zinc Bar

Adam Rudolph, handrumset, kongos, djembe, tarija, zabumba, thumb pianos, sintir, multiphonic vocal, percussion / Graham Haynes, cornet, flugelhorn, percussion / Kenny Wessel, electric and acoustic guitars, banjo, percussion / Ralph Jones, flute, bass clarinet, alto flute, sop and tenor saxophones, bamboo flutes / Jerome Harris, acoustic bass guitar, slide guitar, vocal, percussion / Matt Kilmer, frame drums, kanjira, bata, percussion / James Hurt, cajon, sogo, kidi, bells, bata, percussion

That was pretty nice, and a contrast from the previous band – more like a world music sort of thing.

12. JD Walter @ Zinc Bar

 JD Walter, vocals / Jim Ridl, piano / Donald Edwards, drums / Luques Curtis, bass

JD Walter, vocals / Jim Ridl, piano / Donald Edwards, drums / Luques Curtis, bass

The only show so far that was a bit behind schedule (started a bit before 2 AM). I liked it, especially the deeply satisfying groove of the bass player, Luques Curtis! But I felt pretty saturated with all the music (and the alcoholic beverages that were softly enforced throughout the night) and decided to call it a day after a few tunes (definitely wouldn’t mind hearing JD Walter’s band more thoroughly some other time, though). Had a ($1) slice of pizza from Gray’s Papaya and arrived home around 4 AM (after some exciting shuttle bus transfers on the Q line). Was a great day!

Paul Motian with Bill Frisell, Mark Turner & Tony Malaby @ the Village Vanguard

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Paul Motian @ the Vanguard

Originally, the two weeks were supposed to be with Joe Lovano, but he couldn’t make it, so there were even two tenor players to fill in for him – Mark Turner and Tony Malaby. It was rather experimental, and it actually sounded kind of serious to me, as soul searching.

It was really great to visit the Vanguard again… Even though now that they accept credit cards it’s somehow different 🙂

Written by Ines

August 31, 2010 at 10:20 pm

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Lee Konitz/Mark Turner Quintet @ the Iridium

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Ethan Iverson, Ben Street, Lee Konitz, Albert "Tootie" Heath, Mark Turner @ the Iridium

With Lee Konitz (alto), Mark Turner (tenor), Ethan Iverson (piano), Ben Street (bass) and Albert ‘Tootie’ Heath (drums). They played All of Me, Invitation, a really beautiful, beautiful version of What’s New, All the Things You Are and a very hip arrangement of Gershwin’s Strike Up the Band. They played about an hour, which went by all too fast because the music was so good… Really nice arrangements, tasteful playing and amazing synergy. I enjoyed it a lot. With that kind of drums and bass together you almost don’t need anything else – I was totally blown away by Ben Street, once again. And Albert “Tootie” Heath, another one of those incredible American drummers. Yeah, I really liked everyone in the band, was an awesome jazz night. Found out an interesting fact about Lee Konitz & New York jazz – Lee Konitz is the only still active musician to have played all three ever existing Birdland clubs in New York City.

But Iridium, the club, in general, seems to be a bit overpriced in my opinion – they charge $35 for the cover and the drinks are outrageously expensive (with $11 for the cheapest glass of wine). I guess it’s the location, being so close to Times Square, the rent over there must be crazy. But still, I was shocked. and really happy that I wasn’t paying. The show wasn’t very packed, for a Friday night and the place looked not so well kept, compared to, for example, Birdland. Otherwise I rather like the club. Another good thing about Iridium though – they give 50% off the cover charge for students for all the 2nd sets, every night. That’s nice. I also discovered that their Iridium lager is the closest thing to Estonian (Saku) beer that I’ve yet found in New York. Not that I’d necessarily prefer that one, but, is good to know, I guess.

Written by Ines

December 19, 2009 at 1:49 am

Esimene nädal möödas

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Image072Nii. Esimene nädal on läbi. Pean tunnistama, et kerge masendus on. Või väsimus? Päris hull eufooria laks on olnud terve see nädal. Raha pärast hakkab mure tekkima. Jube palju kulub seda ja tegelikult lõpmatuseni ei viitsi kokku hoida ega selle peale mõelda. Siin võiks tegevust leida lihtsalt lõputult… Aga igal sammul küsitakse raha, it’s really all about money here. Ja kui tavaliselt on selline intensiivne avastamine seoses mingi reisi või festivaliga, kestab võibolla maksimaalselt paar nädalat, siis siin ei saa see “festival” kunagi otsa! Mingi hetk ma vist lihtsalt ei jõua enam niiviisi vaimustuda. Informatsiooni on nii palju, täiesti võimatu on New Yorki isegi natukenegi “ära vaadata”. See ei lõppe kunagi otsa. Iga päev on midagi täiesti erakordset toimumas. Aga energiat peab olema sellega kaasa minna. Ja… raha. Ma ei tea, ma läheks tööle juba, aga tööluba algab juunikuust… Jajah, tegelikult ei viitsi ka enam kogu aeg võõrastega suhelda – hea meelega võtaks nüüd juba vaheduseks mõne külalise vastu, any takers?
Ma mõtlesin enne, et miks NYs inimesed armastavad enda iseloomustuseks öelda laid-back, kui nende maine on just vastupidine  – närviline ja ebasõbralik… Asi on selles, et siin on lihtsalt võimatu pikalt närviline olla – närvid läheksid lihtsalt läbi. Olla laid-back ongi ainuke võimalus :). Võimalikult vähe muretseda ja energiat kulutada.

Praegu olen väga chillis tasuta WIFIga kohas nimega Tea Lounge, mis asub Brooklynis Park Slope’is (teine lahe piirkond, tegelikult palju ehedam kui Williamsburg vist isegi). Ime, et ma selle koha üles leidsin! Aga siin mängivad Dave Allen, Mark Turner – seekord tõesti! Trummidel Jeff Ballard. Uskumatu kui hästi mängib jälle! Suur saal on pilgeni täis, arvatavasti aitab ka see kaasa, et sissepääs on “soovitava” tasu eest ($5). Tänane muusika meenutab natsa Rosenwinkeli bändi.

Written by Ines

May 13, 2009 at 1:58 am